The Best Little Whore House in Bong Kong
| The Best Little Whorehouse in Texas | |
|---|---|
 Theatrical release poster | |
| Directed by | Colin Higgins |
| Written by |
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| Based on | The Best Fiddling Whorehouse in Texas
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| Produced by |
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| Starring |
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| Cinematography | William A. Fraker |
| Edited by |
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| Music past |
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| Production |
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| Distributed by | Universal Pictures |
| Release engagement |
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| Running fourth dimension | 114 minutes[i] |
| Country | United States |
| Language | English |
| Upkeep | $20.5 one thousand thousand or $35 million[2] |
| Box office | $69.7 meg[iii] |
The Best Little Whorehouse in Texas is a 1982 American musical comedy film co-written, produced and directed by Colin Higgins (in his final film as director). Information technology is an accommodation of the 1978 Broadway musical of the same name, and stars Dolly Parton, Burt Reynolds, Jim Nabors, Charles Durning, Dom DeLuise, Noah Beery Jr., Robert Mandan, Lois Nettleton, Theresa Merritt, Barry Corbin, Mary Jo Catlett and Mary Louise Wilson.
Durning was nominated for the Academy Laurels for Best Supporting Actor for his function as the Texas governor. Golden Earth Award nominations went to the film for All-time Motion Picture (Comedy or Musical) and Parton for Best Actress in a Motion Movie (Comedy or Musical). Information technology was the 4th highest-grossing alive-activity musical film of the 1980s, and the top grossing of 1982.[iv]
Plot [edit]
Ed Earl Dodd, the sheriff of Gilbert, Texas, has a human relationship of long continuing with Miss Mona Stangley, who runs a brothel called the "Chicken Ranch" outside of town. Illegal or not, Earl does non interfere with her business concern, which has been a fixture in the town for equally long every bit either can remember.
Lovers on the side, occasionally interrupted by Deputy Fred, the sheriff and madam have a pleasant arrangement. Not everyone in town approves of her, merely Miss Mona is a public-minded citizen who regularly donates to charity, decent and police-abiding in every respect only her line of piece of work.
A big-urban center television personality, do-gooder Melvin P. Thorpe, is most to do a segment near the boondocks, so the sheriff visits Thorpe in his Houston studio. He is shocked by Thorpe'southward live telecast, in which Thorpe reveals to a huge audition his discovery that "Texas has a whorehouse in it." Earl afterwards compounds the problem past insulting and threatening Thorpe in the town public square afterwards Thorpe accuses him of taking payoffs and bribes for not cracking down on Miss Mona's concern, all caught on Tv.
The Chicken Ranch is an institution, where the winning squad from the football game game between land rivals the University of Texas Longhorns and the Texas A&M Aggies traditionally is brought to "celebrate" its victory. The negative publicity puts a spotlight on the place, and then Ed Earl gets Miss Mona's word that she will shut the doors until the attending goes away. She shuts it downwards to regular customers but elects to let the football players have their party, at which point Thorpe and his TV cameras sneak onto the belongings and ambush them all. A quarrel and bitter breakdown between the sheriff and Miss Mona ensues, punctuated by him calling her "a whore."
The Governor of Texas, who cannot make a decision on a single issue until he first sees what voters say in the polls, listens to Earl's appeals to keep the Chicken Ranch open up, only when the polls say no he orders Ed Earl to shut down the Craven Ranch. The working girls leave the Craven Ranch for good. Miss Mona is disconsolate, at to the lowest degree until finding out the effort made past the sheriff on her behalf.
As Miss Mona is parting the whorehouse for the last time, Earl stops her and proposes to her. She turns him down, knowing that his dream is to run for country legislature and that having a wife who worked in prostitution would hurt his chances. He again insists that he wants to marry her and that he does not care near what people volition recollect or say. Deputy Fred, in a voiceover, states that Earl and Miss Mona married and that Earl successfully ran for the legislature. Deputy Fred states that he succeeded Earl every bit Sheriff.
Cast [edit]
- Burt Reynolds as Sheriff Ed Earl Dodd
- Dolly Parton as Mona Stangley
- Dom DeLuise as Melvin P. Thorpe
- Charles Durning as The Governor
- Theresa Merritt as Jewel
- Jim Nabors as Deputy Fred
- Lois Nettleton every bit Dulcie Mae
- Noah Beery Jr. every bit Edsel
- Robert Mandan as Senator Charles Wingwood
- Barry Corbin as C.J.
- Mary Jo Catlett every bit Rita Crowell
- Mary Louise Wilson every bit Miss Modene
- Howard M. Smith as himself
- Donald F. Colson as Jeff Gerald
- Helen Kleeb as Dora
- Mickey Jones as Henry
- Bobby Fite as Dulcie Mae'south son
- Paula Shaw as Wulla Jean
- Kenneth White equally Sheriff Jack Roy
- Ted Gehring as Sheriff Chapman
- Verne Lundquist every bit Football Journalist
- Lee Grosscup as Football Color Man
- Alice Drummond as Governor's secretary
- Terri Treas as Chicken Ranch Girl: Taddy-Jo
- Randy Bennett equally Privates Boy
- Andrea Pike as Chicken Ranch Girl: Shy (Speaking scenes cut)
- Valerie Leigh Bixler as Craven Ranch Girl: Affections (Speaking scenes cut)
Production [edit]
Development [edit]
Originally, Larry 50. King and Peter Masterson were going to write the screenplay and Masterson and Tommy Tune, who had directed the stage production, were to direct the picture together. King recommended Shirley MacLaine, Dyan Cannon, Cari Glynn and Jill Clayburgh as the possibles to star but was told they were non a sufficient box office draw.[5]
When Dolly Parton was cast King suggested Willie Nelson every bit a co-star and Universal executives met with him simply at the end Burt Reynolds was cast. Reynolds was paid $iii.v 1000000 and Parton $1.v meg.[v]
Reynolds wanted script changes and wanted to sing. Universal became nervous about giving the film to first-time directors and ended upwards replacing Masterson and Tune with Colin Higgins.[5]
Reynolds afterwards said Parton "had two directors fired before we started – they were gone. Because I'd made and then many movies and she hadn't, everyone thought it was me. Whether she was right or incorrect in those decisions, it was amazing to me that she could do it."[6]
Higgins prepared for directing information technology by watching old George Cukor films and Dr. Pepper commercials ("They have a lot of wonderful movement", said Higgins.[7])
Reynolds said he suggested to Higgins that Charles Durning be bandage. "Colin is very smart, very commercial. They wanted Mickey Rooney, so I manipulated him a footling. I told Colin, 'Mickey Rooney is a wonderful actor, only everyone knows that. You lot won't get any credit. Charles Durning can sing and dance and no one knows it, and so yous'll get all the credit.' "[6]
Accommodation [edit]
The book of the play was restructured to make it a vehicle for Parton and Reynolds.
The plot is basically the same as that of the stage production, with one significant divergence. In the original, Ed Earl and Miss Mona had a one-night stand 15 years before, but in the movie, they maintain an ongoing thing.
The relationship in the moving picture brings about non only the accusatory scene, when the sheriff—disappointed that Mona has broken her promise to close the Chicken Ranch down long enough for things to cool off—calls her a whore, but as well the happy catastrophe, when he proposes marriage to Mona, even though that might endanger his chances to be elected as a land legislator; the epilogue comments state that he is elected anyway.
Shooting [edit]
Parton described her experience making the motion picture equally "a nightmare."[8] For his function, Reynolds described Parton equally "very self-deprecating, at least in public."[9]
Music [edit]
Much of Carol Hall'south original Broadway score was performed in the moving-picture show version. Omitted were "Proficient One-time Girl", "The Double-decker From Amarillo", "24 Hours of Lovin", "No Lies" and "Doatsie Mae". 2 boosted Parton compositions appear in the film: "Sneakin' Effectually", performed as a duet with Parton and Reynolds, and a two-stanza version of Parton'south 1973 limerick "I Will Ever Dear You". The picture version of "I Will Always Love Y'all"—the original recording has been a U.South. land chart-topper for Parton in the spring of 1974—was released as a single in July 1982, and once again reached number i on the U.S. state singles chart. It was also a mid-level hit on Billboard popular and adult contemporary charts. An altered version of Hall'southward "Hard Candy Christmas", in which Parton sings both the chorus and the verses of the song (every bit opposed to the film version, which is partially sung by some of the other female bandage members), was likewise released every bit a single, reaching the top ten on the country singles chart in late 1982.
Parton wrote several new songs which were filmed simply ultimately not used, including "A Gamble Either Way" and "Where Stallions Run". The latter was restored for the ABC network television broadcast of the film, as the motion picture was too short for its time slot afterwards the censors finished their broadcast edits and additional fabric was needed. "A Gamble Either Fashion" replaced "Daughter You're a Woman" from the Broadway score and was sung by Parton after Miss Mona interviewed "Shy" (Andrea Motorway) for a job at the Chicken Ranch. The characters of Shy and Angel from the Broadway show were reduced in the motion-picture show. Their footage was eventually edited out. "Down At The Craven Ranch" was written for the trailer. Parton recorded ii of the deleted songs, "A Gamble Either Way", and "A Cowboy's Ways" (a reworking of "Where Stallions Run"), and included them on her 1983 anthology Burlap & Satin.
Release [edit]
Marketing [edit]
The film presented some difficulties for Universal, particularly with advertizement. In 1982, the word "whorehouse" was considered obscene in parts of the United States, resulting in the film beingness renamed The Best Little Cathouse in Texas in some print ads, while television ads were either banned outright in some areas, or the offending word was censored; on WXYZ-TV in Detroit, the journalist on the station's "Now Showing" segment simply clicked his tongue to eliminate the offending discussion: "The All-time Trivial [click, click] in Texas!" In Canada, the title was more often than not left alone in print, but televised trailers used a bleep censor over the word. During interviews, Parton sometimes referred to the moving picture as The Best Little Chicken Firm in Texas.
Box office [edit]
The All-time Little Whorehouse in Texas opened in 1,400 theaters on July 23, 1982 and earned $11,874,268 in its opening weekend, ranking number one in the United States box office, dethroning East.T. The Extra Terrestrial 's six-week run at the meridian of the box office.[10] It was the biggest weekend for a musical pic ever.[eleven] The moving picture grossed $69,701,637 domestically.[iii]
Critical reception [edit]
The film received mixed reviews from critics. On review aggregator website Rotten Tomatoes, the film holds a 42% rating based on 12 reviews.[12] Roger Ebert of the Chicago Sun-Times gave the film two out of four stars, stating, "If they ever requite Dolly her liberty and stop packaging her so antiseptically, she could be terrific. But Dolly and Burt and Whorehouse never get beyond the concept stage in this movie."[xiii]
Cultural influence [edit]
The motion picture and the original Broadway musical it was based on were spoofed in the 1982 pornographic flick Memphis Cathouse Blues,[fourteen] which starred Annette Oasis in the Dolly Parton part of the madam and Mike Horner in the Burt Reynolds role equally the sheriff. Porn star Kay Parker, who played one of the prostitutes in the film, had an uncredited flake part in The Best Little Whorehouse in Texas.
Legacy [edit]
The house used in the motion picture is located at Universal Studios in Hollywood and can be viewed every bit part of the backlot tram tour. The inspiration for the gear up came from a real ranch house located outside Austin, Texas, which is featured in scenes from the movie.[15]
The house was shown in the Ghost Whisperer tv set series episode "The Lost Boys".
The firm was as well featured in Rob Zombie's 2003 horror pic House of 1000 Corpses.
The flick was mentioned in an episode of The Venture Bros., where Dr. Venture mistakes it for a pornographic flick, given its "racy" history.[sixteen]
References [edit]
- ^ "THE BEST LITTLE WHOREHOUSE IN TEXAS (AA)". British Board of Motion-picture show Classification. October 6, 1982. Retrieved June 29, 2015.
- ^ "The Unstoppables". Spy. November 1988. p. 92.
- ^ a b "The Best Picayune Whorehouse in Texas". Box Role Mojo. Internet Movie Database. October 22, 1982. Retrieved June 29, 2015.
- ^ "Musical, 1974–present". Box Part Mojo. IMDb. Retrieved July 28, 2012.
- ^ a b c King, Larry L. (July 8, 1982). "What a round-upwards! Roping Dolly and Burt, bringing 'Whorehouse' to the screen". Chicago Tribune. p. d20.
- ^ a b Scott, Jay (June 27, 1987). "REYNOLDS RAP". The Earth and Postal service. p. Due east.1.
- ^ Goldstein, Patrick (January 24, 1981). "HIGGINS: WRITER-DIRECTOR ON HOT STREAK". Los Angeles Times. p. b15.
- ^ Dolly on Dolly: Interviews and Encounters with Dolly Parton. ed. Randy L. Schmidt
- ^ "Burt Reynolds: I was asked to be James Bond". November 19, 2022 – via www.telegraph.co.great britain.
- ^ "Weekend Box Office Results for July 23-25, 1982". Box Office Mojo. Net Movie Database. July 26, 1982. Retrieved June 29, 2015.
- ^ Murphy, Arthur D. (Oct 31, 1989). "Leading North American Film Boxoffice Weekends in History". Daily Variety. p. 53.
- ^ "The All-time Picayune Whorehouse in Texas". Rotten Tomatoes . Retrieved November ten, 2021.
- ^ "The All-time Little Whorehouse in Texas Picture Review (1982)". Roger Ebert. Chicago Sun-Times. Jan ane, 1982. Retrieved June 29, 2015.
- ^ "Memphis Cathouse Blues (1982) Connections". Cyberspace Movie Database . Retrieved February three, 2014.
- ^ "The Chicken Ranch". TheStudioTour.com . Retrieved July 28, 2012.
- ^ "Dolly Parton'due south Racy Flick | The Venture Bros. | Developed Swim". Archived from the original on June 18, 2022 – via www.youtube.com.
- Further reading
- Hall, Carol. Vocal Selections from The All-time Trivial Whorehouse in Texas. Melville, N.Y.: MCA Music, 1979.
- Male monarch, Larry 50. and Masterson, Peter. The All-time Fiddling Whorehouse in Texas. Music and lyrics by Carol Hall. French's Musical Library. New York, N.Y.: S. French, 1978. ISBN 0-573-68111-2
- King, Larry 50. The Whorehouse Papers. New York: Viking Press, 1982. ISBN 0-670-15919-0
External links [edit]
- The Best Petty Whorehouse in Texas at IMDb
- The Best Little Whorehouse in Texas at the TCM Movie Database
- The Best Little Whorehouse in Texas at Box Function Mojo
- The Best Niggling Whorehouse in Texas at Rotten Tomatoes
Source: https://en.wikipedia.org/wiki/The_Best_Little_Whorehouse_in_Texas_(film)
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